Coniston: April 2012

Senin, 23 April 2012

[P378.Ebook] Ebook Study Guide for McGuire/Beerman's Nutritional Sciences: From Fundamentals to Food, by Michelle McGuire, Kathy A. Beerman

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The study guide provides students with a detailed review of chapter material, reiterating chapter objectives and key concepts. The guide challenges students with fill-in-the-blank exercises reviewing the "Essential Concepts," matching, multiple-choice and discussion questions, word problems, figures to label, and tables to complete from memory.

Sales Rank: #1517825 in Books
Brand: Brand: Brooks Cole
Published on: 2006-07-12
Original language: English
Number of items: 1
Dimensions: 10.75" h x 8.50" w x .75" l,
Binding: Paperback
352 pages

Features

Used Book in Good Condition

About the Author
Dr. Michelle "Shelley" McGuire teaches in the Department of Food Science and Human Nutrition at Washington State University. She is the author of several published articles, and specializes in the research of understanding of how breastfeeding and lactation influence both maternal and child health and well-being. Recent research has focused on investigating how maternal diet influences milk fat content and, thus, energy intake and fatty acid consumption of the breastfeeding child. Dr. McGuire has been teaching the basic nutrition course for several years and has a strong appreciation of the course, its goals and objectives, and the variety of student needs. This experience coupled with her strong writing and research background has helped her create an exciting and refreshing text for the introductory nutrition course.

Dr. Beerman teaches in the Department of Food Science and Human Nutrition at Washington State University. The author of several published articles, she specializes in research focusing on dietary practices of college students and the effects of isoflavones on health parameters in postmenopausal women. Dr. Beerman also has published several articles accessing the effectiveness of computer technology in the college classroom. Dr. Beerman teaches the introductory nutrition course for health majors, as well as courses in nutrition education, life cycle nutrition, and pathophysiology. Since joining the faculty at Washington State University in 1989, she has taught more than 10,000 students and has been the recipient of several teaching awards. Dr. Beerman's years of teaching experience, combined with her wide knowledge base in nutrition and health sciences, has helped create this innovative introductory nutrition text.

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Sabtu, 21 April 2012

[F172.Ebook] Get Free Ebook Ordinary Differential Equations (Graduate Texts in Mathematics), by Wolfgang Walter

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Based on a translation of the 6th edition of Gewöhnliche Differentialgleichungen by Wolfgang Walter, this edition includes additional treatments of important subjects not found in the German text as well as material that is seldom found in textbooks, such as new proofs for basic theorems. This unique feature of the book calls for a closer look at contents and methods with an emphasis on subjects outside the mainstream. Exercises, which range from routine to demanding, are dispersed throughout the text and some include an outline of the solution. Applications from mechanics to mathematical biology are included and solutions of selected exercises are found at the end of the book. It is suitable for mathematics, physics, and computer science graduate students to be used as collateral reading and as a reference source for mathematicians. Readers should have a sound knowledge of infinitesimal calculus and be familiar with basic notions from linear algebra; functional analysis is developed in the text when needed.

Sales Rank: #751326 in Books
Published on: 1998-07-01
Original language: English
Number of items: 1
Dimensions: 9.21" h x .94" w x 6.14" l, 1.58 pounds
Binding: Hardcover
384 pages

About the Author
Herr Walter ist seit mehreren Jahren als Unternehmensberater und Trainer aktiv; spezialisiert auf Druckerei- und Medienbetriebe; Lehrstuhl fA1/4r UnternehmensfA1/4hrung und Controlling; seit 2002 stelbstAndiger Unternehmensberater und Trainer.

Most helpful customer reviews

1 of 1 people found the following review helpful.
HORRIBLE BOOK
By Moropo
Used this book for a Ordinary Differential Equations class (ODEs - grad level).

Terrible terrible book... Author doesnt explain, and leaves everything murky.

Oh, you also realize that following the author's organization and naming of sections/theorems/exercises becomes harder than ODEs itself.

I have never seen such a horrible book before... I have no idea why my professor chose it, or why ANY professor would choose it.

0 of 0 people found the following review helpful.
Five Stars
By Dileen Naseradeen Abdulqader
Very good

5 of 15 people found the following review helpful.
Sweet Jesus this book is terrible!
By taesen00
To begin my graduate level Advanced Differential Equations course, the professor introduced this text as "The Yellow Book of Death." Quite an accurate description. The consenus around the Math department is that it is a horrible book. The text is very unclear at many steps, and leaves out other key steps. I rarely, if ever, use this text to study for Differential Equations, as the notes given by the professor are much clearer. Being that this book is never used, it is nothing more than a yellow eyesore on my bookshelf. Today, I am to take the comprehensive exam for my Master's in Mathematics and this text has not been of any use in preparation for the exam. Upon the conclusion of this exam, I fully intend to take this book out to a field and shoot it. I am going to end this source of anger and frustration with a 9mm bullet.

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Rabu, 18 April 2012

[V369.Ebook] Download Gulliver's Travels, Oxford Bookworms Library: 1400 Headwords, by Jonathan Swith

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A level 4 Oxford Bookworms Library graded reader. Written for Learners of English by Jonathan Swift

Soon I felt something alive moving along my leg and up my body to my face, and when I looked down, I saw a very small human being, only fifteen centimetres tall . . . I was so surprised that I gave a great shout.'

But that is only the first of many surprises which Gulliver has on his travels. He visits a land of giants and a flying island, meets ghosts from the past and horses which talk . . .

Sales Rank: #659083 in eBooks
Published on: 2008-02-18
Released on: 2013-02-25
Format: Kindle eBook

About the Author

Jonathan Swift (1667-1745) was born in Dublin, Ireland. Many of his books were strong attacks on the political life of the times, but he was very popular with the people. Gulliver's Travels is his most famous book.

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1 of 1 people found the following review helpful.
So this book is really a good one. I think this book worth to be ...
By liulin
This is really a world famous novel! The author is full of imagination. In the book he described a magic world with little men in Lilliput and giant men in Brobdingnag. And there is also a country flying in the sky and a country managed by horse. The writer used this book to show some problems in the real world. So this book is really a good one. I think this book worth to be recommended to every one !

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[B463.Ebook] PDF Ebook Trompe l'Oeil: A Novel, by Nancy Reisman

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Set against a backdrop of Rome, Renaissance artworks, and images of Mary Magdalene, Trompe l'Oeil portrays the ripple effects of a family tragedy and the ways in which its members perceive and misperceive themselves and each other.

During a vacation in Rome, the Murphy family experiences a life-altering tragedy. In the immediate aftermath, James, Nora, and their children find solace in their Massachusetts coast home, but as the years pass the weight of the loss disintegrates the increasingly fragile marriage and leaves its mark on each family member. Trompe l’Oeil seamlessly alternates among several characters’ points of view, capturing the details of their daily lives as well as their longing for connection and fear of abandonment. Through the turbulence of marriage, the challenges of parenthood, job upheavals, and calamities large and small, Trompe l’Oeil examines family legacies, the ways those legacies persist, and the ways they might be transcended. Nancy Reisman is a master of psychological acuity, creating characters who are wholly unique and yet express our own longings and anxieties. Trompe l’Oeil haunts not only with its story but also with the beauty of its insight into hopes, desires, and fears.

Sales Rank: #865432 in Books
Published on: 2015-05-12
Original language: English
Number of items: 1
Dimensions: 7.80" h x 1.00" w x 5.10" l, .0 pounds
Binding: Paperback
352 pages

Review
“Genuinely satisfying, heart-shaking novels combine an absolute narrative authority with an apparently effortless style. You question nothing, savor every phrase and nuance, live willingly within their pages from the first word to the last.... 'Trompe L'Oeil' is one such book... There's a bright elasticity to Reisman's prose that only adds to [the] sense of possibility.... Rendered here, you feel, in startling and almost painterly form is life itself ... This novel doesn't just 'trompe' the 'oeil,' it reinvents it.” (New York Times Book Review)

“[W]ith shades of The Ice Storm and Revolutionary Road, Reisman offers a poignant portrait of a family undergoing a gradual, permanent transformation.” (Publishers Weekly)

“An eloquent exploration, from several perspectives, of one family’s life following unimaginable loss.” (Booklist)

“A realistic and gorgeously written story...” (Library Journal)

“In Trompe l'Oeil Nancy Reisman has created something amazing and mysterious: a portrait of a family that is also a portrait of how that family lives in the aftermath of grief. With wonderful skill and intelligence she shows us the Murphys over more than two decades as both parents and children finally step into their own lives. Their journey, the portraits of their journey, are deepened by Reisman's vivid sense of place and framed by her exquisite descriptions of paintings. This is a beautiful and deeply satisfying novel.” (Margot Livesey, author of The Flight of Gemma Hardy)

“Nancy Reisman's mesmerizing Trompe l'Oeil is itself a magic trick. A dead child resists all erasure, while the most substantial-seeming family dissolves. Houses vanish when one's back is turned. Carefully charting the contours of absence, in prose as wise as it is beautiful, Reisman shows us that loss is a presence, another way to trick the eye ― and the heart.” (Susan Choi, author of My Education)

“What I have always admired about Nancy Reisman's writing is how absolutely gorgeous it is, and in Trompe l'Oeil her writing astonishes me even more. She writes about the weight of loss with beauty and honesty and grace. Simply a beautiful novel.”―” (Ann Hood, author of An Italian Wife)

“Trompe l'Oeil is perfect for book clubs because it offers so much fodder for discussion: How do we define 'fault'? When does a house change from being a home to being a trap? Is it inevitable that children born after the death of a sibling will be considered mere replacements for the one lost? Nancy Reisman, in this gentle, tragic novel, makes the reader feel as one with the Murphy family―living, grieving, falling apart―their trajectory inevitable. Or is it?” (Georgia Court, Bookstore 1 Sarasota)

About the Author
Nancy Reisman's debut novel, The First Desire, was a New York Times Notable Book and a recipient of the Goldberg Award from the Foundation for Jewish Culture. Her story collection, House Fires, won the Iowa Award for Short Fiction. Her short fiction has appeared in many journals and anthologies, including Tin House, Glimmer Train, the Yale Review, SubTropics, Michigan Quarterly Review, Kenyon Review, Five Points, Narrative, The Best American Short Stories (2001), and The O'Henry Award Stories (2005). Reisman has received fellowships and awards from the National Endowment for the Arts, the Tennessee Commission on the Arts, the Wisconsin Institute for Creative Writing, and the Fine Arts Work Center in Provincetown. She teaches at Vanderbilt University and lives in Nashville, TN.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Potentially moving story is not so.
By Teresa Salkin
Reisman is a clean, precise writer who kept me turning the page in the hope that her characters, who I got to know well, would grow in depth and self knowledge; never happened. This story skated on top of the ice of life the whole way through - very disappointing for such well articulated and described individuals and situations.

9 of 10 people found the following review helpful.
A intriguing story, "told" by the author, not the characters.
By Amazon Customer
I read the glowing review in the Sunday New York Times Book Review June 28th, 2015. I liked the title.wanted to get involved in the lives of these characters, in the family, what happens to them, the story. I looked forward to finding myself pulled inside the the characters' lives through the point of view of the protagonist(s). . Alas, Nancy Reisman "tells" the story herself. I'd have loved if one of the main character's voice "showed" me the story through her or his eyes, his or her senses, feelings, thoughts, dialog, . I thought that the publisher, Tin House ,would have published a more intimate writing style rather than keeping me, the reader, at a distance with dated omniscient point of view. The writing is lovely "telling." The story is there, but didn't take me on the promised journey. I put the book down and walked away, disappointed.

8 of 9 people found the following review helpful.
Exquisite. Life as a series of transitions, an illusion that never stands still
By B. Case
Trompe L’Oeil (i.e., Optical Illusion), by Nancy Reisman, is an exquisite emotional and literary portrait of a family. The plot follows the lives of the Murphy family over the course of approximately thirty-five years. There’s James, the father; Nora, the mother; Theo, the oldest child and only son; Katy, the second child; Molly, the child who was killed in a pedestrian accident when she was four years old; and eventually, Sara and Dalia, two daughters born in quick succession after Molly’s death. The Murphys are an affluent, educated, and artistic New England family with ties to Boston, Cambridge, Wellesley, and Cape Cod. By all intents and purposes, they’re an ordinary privileged family made unique by having been forced to weather the extraordinary crisis of a child’s death.

At the beginning of the book, seemingly at the peak of the family’s happiness and vigor, Molly is tragically run over and killed by a truck while dashing across a street in Rome during a family vacation. She was only four years old. In an instant, the illusion of the family’s perfect life and expected future vanishes. Can one event change everything? Can one tragic event propel every individual in the family—both existing and not yet born—on to another trajectory? Can it keep affecting each life repeatedly and endlessly into the future?

If you read this elegant and sublime novel, you’ll come away answering, “Why, yes, of course!” The novel will help you understand and experience all the subtle ways that this can be true.

If there is a purpose or theme to this novel, it seems to be a demonstration that we are all in a state of perpetual transition; that life is an illusion that never stands still; that the “world as one knows it is only the world of a moment.”

This novel is told in the past tense by an anonymous narrator. At first, I thought the narrator was the author and that I would be reading a typical third-person omniscient narration. But that didn’t happen. And I was confused. And to add to the confusion, the author keep interjecting random strange chapters into the novel, each focusing on a very detailed physical and emotional description of different famous works of art. These short art chapters (there are 13 of them in a novel with a total of 76 chapters)—see the list of the art works at the end of this review—were narrated in the second person, i.e., using “you” as the voice. They exist, perhaps as a literary device, to pull the reader intimately into the novel, to make us believe that we are the ones doing the observing of each artwork…and then, by projection, that we are the fly-on-the-wall voyeurs, intimately peeking in on the lives of the Murphy family.

The primary narrator is never conclusively revealed. It could be the author or one of the characters in the novel. If so, it is no doubt Nora, because she emerges as the book’s main character and is the one most interested in art. Regardless, the narrator is human, not God-like. The narrator infers all human thought and emotions. The narrator is a keen analytical observer of life, nothing more. In some ways, the narrator is like a person in an art gallery. The narrator studies each scene in the lives of this family just like a visitor to an art gallery might stand in front of a painting and study it carefully, trying to infer all knowledge that can be inferred from the slightest clue.

This is an emotionally rich and meditative novel. The imagery is as precise and expressive as any of the famous works of art described in the thirteen art chapters. A great deal of care was taken in choosing exactly how each scene is described. Every word has purpose and weight.

This is an exquisite novel of subtle beauty and abundant depth. If it were a reading assignment in an advanced contemporary American literature seminar, I could think of any number of major concepts contained within it that easily could lend themselves to academic analysis.

As promised, here is a list of the famous works of art that are described in detail within this book. I suggest that you do an Internet image search on each work and have it in front of you, to study, while you read each of these chapters. Doing this will significantly increase your reading pleasure. It will also help pull you inside the story, inside the lives of these characters, so you become that analytical and empathetic “fly-on-the-wall voyeur” that the author want you to become. If there is any connection between these works of art and the story within the novel, it is that the main character, Nora, keeps a beloved shoebox full of museum gallery postcards of famous works of art just like these. She takes the box out and studies her art treasure photos whenever she needs quiet time by herself to recharge her emotional strength.

• Rome: Prospettiva, Franscesco Borromini (c. 1652-53), Palazzo Spada
• Rome: Maddalena Penitente, Domenico Fetti (early 17th century), Galleria Doria Pamphilj
• Rome: La Maddalena, Michelangelo Merisi da Caravaggio (1594-95), Galleria Doria Pamphilj
• Rome: The Ecstasy of Saint Teresa, Gian Lorenzo Bernini (c. 1647-52), Chiesa Di Santa Maria Della Vittoria
• Rome: Annunciazione, Fra Filippo Lippi (15th century), Galleria Doria Pamphilj
• Reproduction: The Magdalen Reading, Rogier van der Weyden (before 1438), National Gallery, London
• Rome: Pauline Bonaparte, Antonio Canova (early 19th century), Galleria Borghese
• Reproduction: Interior: Woman before a Window, Edouard Vuillard (c 1900), From a private collection
• Reproduction: Magdalena Poenitens (Penitent Magdalen), Joannes and Lucas van Doetecum after Pieter Brugel the Elder (1555-56), Etching with engraving
• Reproduction: Magdalen Reading, Follower of Piero de Cosimo (1500-20), Courtauld Gallery, London
• Rome: Apollo and Daphne, Gian Lorenzo Bernini (c. 1622-25), Galleria Borghese
• Reproduction: Interior with Pink Wallpaper I, plate five, Edouard Vuillard (1899), Art Institute of Chicago
• Rome: La Dama con Liocorno, Raffaello Sanzio da Urbino (1506), Galleria Borghese

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Sales Rank: #1667330 in Books
Published on: 2006
Number of items: 2
Binding: Paperback

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The revised edition of The Canadian Style is an indispensable language guide for editors, copywriters, students, teachers, lawyers, journalists, secretaries and business people – in fact, anyone writing in the English language in Canada today.

It provides concise, up-to-date answers to a host of questions on abbreviations, hyphenation, spelling, the use of capital letters, punctuation and frequently misused or confused words. It deals with letter, memo and report formats, notes, indexes and bibliographies, and geographical names.

It also gives techniques for writing clearly and concisely, editing documents and avoiding stereotyping in communications. There is even an appendix on how to present French words in an English text.

Sales Rank: #1587508 in Books
Published on: 1997-09-24
Original language: English
Number of items: 1
Dimensions: 9.00" h x .72" w x 6.14" l, 1.07 pounds
Binding: Paperback
312 pages

Review
[The Canadian Style] is a valuable reference work for Canadian writers and editors, particularly those employed in the public service. (Sarah Robertson CBRA)

Provides concise, up-to-date information on such puzzling questions as when to capitalize, when to italicize, Canadian vs. American and/or British spellings and problems of usage.

(Arts Scarborough)

An inexpensive Canadian guide useful for anyone who has to write for school or work.

(Quill and Quire)

From the Inside Flap
This revised edition is an indispensable language guide for anyone writing in the English language in Canada today.

About the Author

The Translation Bureau, a special operating agency of the Department of Public Works and Government Services of Canada, is please to present the second edition of the Canadian government's English-language editorial style guide, The Canadian Style.

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0 of 0 people found the following review helpful.
Here's where you'll find most of the answers
By Owen Hughes
"The Canadian Style" is an essential tool for editors and translators and others involved with writing in their daily lives. There are a number of writers I have come across who could benefit from having it handy as well. The 1996 revised and expanded edition is the fruit of a great deal of experience, as well as practice in the making of this unique kind of reference tool. At first sight, it's not that easy to find your way around such a book. However, once you've used it for a month or two, you'll find that you can go to the right section fairly quickly: it is well set out. Among the myriad problems that it covers, there's a useful section on Canadian geographical names and a quick look at French typographical rules. Whilst you may or may not find this last section of use, it indicates the degree of thoroughness that the book is attempting. All wordsmiths on the upper (slightly colder) side of the border should own it.

1 of 1 people found the following review helpful.
The Vancouer Province is in need of a copy
By Lloyd E. Davis
Couldn't help but chuckle at this editorial review:

Vancouer Province

a tightly written and carefully edited book that should be in every Canadian writers library or breifcase.

Perhaps this means that the Vancouver (not Vancouer) Province found it "a tightly written and carefully edited book that should be in every Canadian writer's (not writers) library or briefcase (not breifcase). I'm sure the publishers of _The Canadian Style_ are grateful for the endorsement, but with friends (or should that be freinds?) like this...

And yes, I do keep a copy on my shelf, along with _Editing Canadian English_ and the _Canadian Press Stylebook_. One of many sources I consult when stumped by an editing issue.

0 of 0 people found the following review helpful.
The Only Way to Master Canadian English
By Mo
A great Canadian reference text. Excellent for all writers and students using our good old Canadian languarge!

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This book contains 30 activities at elementary level, complete with ideas for boardwork and pictures teachers can copy. All the activities are simple and adaptable. They are particularly well-suited to classrooms where there are few resources apart from a board, paper, and pens - and of course the teacher and learners themselves.

Sales Rank: #2417927 in eBooks
Published on: 2000-10-26
Released on: 2013-05-20
Format: Kindle eBook

About the Author
Jill Hadfield has been involved in EFL either as a teacher or teacher trainer for over 20 years and is the author of over 20 books for teachers, some written with her husband Charles. She has taught and trained teachers in Britain, France, China, Tibet, and Madagascar, and held workshops and courses for teachers around the world. She is currently senior lecturer in the School of English and Applied Linguistics at Unitec, Auckland, NZ. Charles Hadfield has worked as a teacher and trainer, administrator, and consultant in many places including Madagascar, Tibet, China, and France, with shorter visits to many African countries, most of Europe, and Japan. He often collaborates with his wife Jill on education projects as colleague and co-author. He studied at Southampton, London, and Bordeaux, and is currently teacher-training coordinator at the English Language Academy at the University of Auckland, NZ.

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0 of 1 people found the following review helpful.
excellent book
By Artuching
It is very useful and educational, I highly recommend this book to everybody who teaches English as a second language!

0 of 1 people found the following review helpful.
Five Stars
By moorlandlane
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'Hazel Moir's book deserves to become a classic. Between its covers one will find writing of great clarity and data that reveal the real world costs of the patent system. After reading Moir's analysis, one wonders what the actual social benefits of the patent system might be. This is evidence-based analysis at its best.'
- Peter Drahos, Australian National University and Queen Mary, University of London, UK

'Just how inventive are inventions? More to the point, just how inventive are the inventions covered by patents? Not very, according to Hazel Moir, and there is no reason to doubt her conclusions. She has spent years in painstakingly analysis of dozens of business method patents in Australia and elsewhere. She finds. . . [t]hey are no more than strategic devices intended to annoy and disrupt commercial competition and confuse the market. . . Hazel Moir is a patent expert beholden to no patent theory and no patent interests. In consequence, her research is fresh and inspired. Her conclusion - that patents describe and protect obvious combinations of old ideas and trivial variations - may not be confined to business methods. It is a conclusion that demands the consideration of policymakers.'
- Stuart Macdonald, Aalto University, Helsinki, Finland

This empirical study uses a scientifically selected sample of patents to assess patent quality. The careful evaluation of the assumptions in alternative economic theories about the generation and diffusion of new knowledge demonstrates that the height of the inventive step is critical to effective and efficient patent policy.

The book provides a practical introduction to the policy rules affecting the grant of patents, particularly the rules making the inventive step so low. It also offers insights into interactions between examiners and applicants during the patent application process. Finally, the book compares how the rules about inventiveness operate in the USPTO, the EPO and the Australian Patent Office, gives new insights into business method patenting and offers suggestions for raising the height of the inventive step.

Patent Policy and Innovation will appeal to academics researching in the patent field, economists, innovation and industry policy advisors, patent policy makers, NGO policy advisors and patent practitioners.

Contents: Preface 1. Introduction 2. The Economics of Patent Policy: Assumptions, Paradoxes and Evidence 3. Who Determines Patent Policy: Judges, Lobbyists or Legislatures? 4. In the National Interest: Defining Patentable Inventions 5. Finding and Avoiding Existing Knowledge 6. Combining Known Elements 7. The Quantum of Inventiveness: Other Approaches and Rules 8. Rebalancing the Patent System Appendix. Original Claims: Selected Patents References Index

Sales Rank: #4181872 in Books
Published on: 2013-05-29
Original language: English
Dimensions: 9.25" h x 6.25" w x .75" l, .0 pounds
Binding: Hardcover
256 pages

Review
'Just how inventive are inventions? More to the point, just how inventive are the inventions covered by patents? Not very, according to Hazel Moir, and there is no reason to doubt her conclusions. She has spent years in painstakingly analysis of dozens of business method patents in Australia and elsewhere. She finds... [t]hey are no more than strategic devices intended to annoy and disrupt commercial competition and confuse the market... Hazel Moir is a patent expert beholden to no patent theory and no patent interests. In consequence, her research is fresh and inspired. Her conclusion - that patents describe and protect obvious combinations of old ideas and trivial variations - may not be confined to business methods. It is a conclusion that demands the consideration of policymakers.' - Stuart Macdonald, Aalto University, Helsinki, Finland 'This book presents a compelling attack on the patent system. Thoughtfully analyzing the existing empirical literature and providing her own painstaking study of business method patents, Hazel Moir explains how it is that... patents have spread geographically and technologically, with increasingly broad rights becoming ever-easier to obtain. Bravely and persuasively, she recommends policymakers tackle one of the most vexing issues in patent law: the quantum of new knowledge that ought to be required to make an invention worthy of protection.' - Rochelle Dreyfuss, New York University School of Law, US 'Hazel Moir's book deserves to become a classic. Between its covers one will find writing of great clarity and data that reveal the real world costs of the patent system. After reading Moir's analysis, one wonders what the actual social benefits of the patent system might be. This is evidence-based analysis at its best.' - Peter Drahos, Australian National University and Queen Mary, University of London, UK 'This book presents a compelling attack on the patent system. Thoughtfully analyzing the existing empirical literature and providing her own painstaking study of business method patents, Hazel Moir explains how it is that, despite the intuitions of economists, social scientists, lawyers, judges, and even some inventors, patents have spread geographically and technologically, with increasingly broad rights becoming ever-easier to obtain. Bravely and persuasively, she recommends policymakers tackle one of the most vexing issues in patent law: the quantum of new knowledge that ought to be required to make an invention worthy of protection.' - Rochelle Dreyfuss, New York University School of Law, US

About the Author
Hazel V.J. Moir, Centre for Policy Innovation, Research School of Social Sciences, ANU College of Arts and Social Sciences, Australian National University

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2 of 2 people found the following review helpful.
Challenging Patent Law...
By Phillip Taylor MBE
[[VIDEOID:moPQBTL7N7MQ2T]]

A CONTROVERSIAL VIEW

An appreciation by Phillip Taylor MBE and Elizabeth Taylor of Richmond Green Chambers

This book delivers with gusto a radical and critical new look at patents and patent policy and is nothing if not challenging, both for practitioners involved in patent law and for the general reader, not to mention all the inventors out there seeking to patent their inventions.

But how inventive does an inventor's invention have to be to be eligible for a patent? This is only one of the questions posed by author Hazel V. Moir, a well known patent expert who takes vociferous exception to the granting of patents to products and business processes that may not be all that inventive

The motivation behind procuring some, or indeed a lot of patents seems to be monopolistic; the desire to restrict others and other businesses from pouncing on and exploiting an innovative idea - which may not be all that innovative - and profiting from it.

`Patents are a fascinating example of how well-meaning economic policy can go wrong,' insists the author and when one reads the overwhelming weight of evidence she puts forward to support this view, one is inclined to agree. Patent policy is economic policy', she adds, basically asking whether the costs of preventing innovation in rival firms and raising prices will ultimately be justified by the resulting benefits, depending on what those benefits are of course.

The process of analysing all this and related questions is indeed a challenge which the author certainly tackles head on, demolishing any number of pre-conceived notions about patents, patent law and inventiveness along the way.

The result is a particularly intriguing read for anyone involved professionally in patent law and its economic implications and consequences. Some practitioners may not agree entirely with some of the conclusions presented, although the author seems to have made sure that they are evidence-based throughout.

Apart from being a practical introduction to the policies underpinning the granting of patents, the book reveals a number of insights into the patent application process itself. Of particular interest is the comparison of how the rules about inventiveness operate in the USPTO (United States Patent and Trademark Office) and the EPO -- European Patent Office -- as well as the Australian Patent Office (as the author hails from the Australian National University).

`The book', says one commentator `deserves to become a classic'. Focusing on the demerits, as well as the merits of the patent system and its consequent economic repercussions, it will certainly be controversial and undoubtedly a catalyst for debate among everyone from patent practitioners to economists, or indeed anyone wishing, quite rightly, to examine the patent system with an uncompromisingly critical and analytical eye. The publication date is 2013.

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He is a man of many names. Some call him the Golden One; others, the Lord of the Silver Bow. To the Dardanians, he is Prince Aeneas. But to his friends, he is Helikaon. Strong, fast, quick of mind, he is a bold warrior, hated by his enemies, feared even by his Trojan allies. For there is a darkness at the heart of the Golden One, a savagery that, once awakened, can be appeased only with blood.

Argurios the Mykene is a peerless fighter, a man of unbending principles and unbreakable will. Like all of the Mykene warriors, he lives to conquer and to kill. Dispatched by King Agamemnon to scout the defenses of the golden city of Troy, he is Helikaon’s sworn enemy.

Andromache is a priestess of Thera betrothed against her will to Hektor, prince of Troy. Scornful of tradition, skilled in the arts of war, and passionate in the ways of her order, Andromache vows to love whom she pleases and to live as she desires.

Now fate is about to thrust these three together–and, from the sparks of passionate love and hate, ignite a fire that will engulf the world.

Readers who know the works of David Gemmell expect nothing less than excellence from this author, whose taut prose, driving plots, and full-bodied characters have won him legions of fans the world over. Now, with this first masterly volume in an epic reimagining of the Trojan War, Gemmell has written an ageless drama of brave deeds and fierce battles, of honor and treachery, of love won and lost.

From the Hardcover edition.

Sales Rank: #211854 in Books
Brand: Gemmell, David
Published on: 2006-10-31
Released on: 2006-10-31
Original language: English
Number of items: 1
Dimensions: 8.25" h x 1.01" w x 5.52" l,
Binding: Paperback
496 pages

From Publishers Weekly
Starred Review. Bestseller Gemmell (Legend) boldly recasts the Trojan War in this first of a new trilogy, which centers on a warrior variously called Helikaon, Aeneas or the Golden One, who's blessed by luck to have all he turns his hand to prosper. Populated by compelling and finely drawn characters taken from either Greek mythology (Odysseus, Hektor, etc.) or the author's own fertile imagination, the novel lays the groundwork for the war to come. Spurred by prophecy, Agamemnon, King of Mykene, sets his men the task of killing Aeneas. The ensuing conflict threatens to engulf the Mediterranean. While this enchanting tale is more historical fiction than fantasy (the obligatory oracles and Kassandra's prophecies are the only hints of magic), genre fans and more general readers alike will have trouble putting it down.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
This hefty historical fantasy opens a trilogy dealing with the Trojan War but without the usual number of variations on the theme readers have come to expect from prolific and popular fantasist Gemmell. The title character is Aeneas, not outwardly the Trojan hero, however, but a Trojan ally using the name Helikaon. He and the Greek Odysseus are on terms of mutual respect, and he is also in love with Andromache, the betrothed of Hector, Troy's greatest warrior. When relations between Troy and Mycenae start deteriorating dramatically, Helikaon/Aeneas is in several kinds of dilemma. We soon learn that Gemmell's isn't the Homeric scenario of the Iliad, however, because this book's Hector doesn't survive the battles of this preliminary book, and those occur before Agamemnon sets sail for Troy. Gemmell is a master of fast pacing and original, not to say offbeat, takes on legendary and mythical characters. The alternate Iliad he launches here does honor to his reputation and promises to lift it higher while adding notably to readers' pleasure. Roland Green
Copyright © American Library Association. All rights reserved

Review
Advance praise for Troy: Lord of the Silver Bow

“This is how the oldest tales should be read and known. This is the grand style of storytelling. Gemmell is a master of plot, but his triumph is creating men and women so real that their trials are agony and their triumph is glorious.”
–Conn Iggulden, author of the Emperor series

“I can say of David Gemmell, that he's the only writer of historical fiction or heroic fantasy whose prose I actually study, line by line, trying to decode how he produces the effects that he does. Hail to Lord of the Silver Bow! Bravo, Mr. Gemmell!”
–Steven Pressfield, author of Gates of Fire and The Virtues of War

Praise for David Gemmell

“I love David Gemmell’s work. He’s one of the best out there today, and one of the reasons that fantasy is alive and well.”
–R. A. Salvatore

“Passionate, cleanly written prose, imaginative plots, and, above all, terrific storytelling.”
–Time Out London

“Gemmell not only knows how to tell a story, he knows how to tell a story you want to hear. He does high adventure as it ought to be done.”
–Greg Keyes

“Clean, swift action and a rich undercurrent of human understanding support Gemmell’s characters at each turn of the tale.”
–Kirkus Reviews

From the Hardcover edition.

Most helpful customer reviews

54 of 58 people found the following review helpful.
Astounding!
By Scott Masterton
This book was released in England on the 1st of September and since I couldn't wait until it was released here in the U.S., I ordered.

I was not dissappointed and neither will you be.

David Gemmell fans know that this British author is most famous for writing in the fantasy genre. He is a master of creating a world and then peopling it with characters that are more human than any writer I have encountered. Though "Lord of the Silver Bow" is the first part in a trilogy about the Trojan War, Gemmell still writes like it were his own world. In fact, if the reader didn't know better, he would think that David Gemmell had been in ancient Greece scribing the events as they happened.

Historically, Lord of the Silver Bow is probably not accurate as it is peopled with real historical figures as well as figures from Gemmell's fertile imagination. Whatever historical "truths" that Gemmell misses are more than made up for by his deep insight into the minds of his characters. As in all of his novels the characters contain within them the whole range of human strengths and weaknesses; David Gemmell seems to suggest that a strength and weakness can be one and the same thing.

The story follows Helikaeon a sailor, warrior (and possible King) as he deals with love, death, loss and gain. Odyseuss is a homely, story telling, king that adds wisdom and humor to a world that for the most part is pretty grim.

"Lord of the Silver Bow" is a wonderful beginning to what could quite possibly be the greatest work of an already brilliant writer.

I for one can hardly wait for the rest of the trilogy to unfold.

0 of 0 people found the following review helpful.
The story of Troy comes alive!
By Two Bears
David Gemmel breathes new life into a story I first read over Fifty years ago. His masterful reintroduction of the characters I fell in love with as a child held me spellbound. Thank you David Gemmel.

0 of 0 people found the following review helpful.
This series is a great retelling of the epic story
By Joshua A. Risher
This series is a great retelling of the epic story, and possibly more accurate than the epics by Homer as we have them today.

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